The story unfolds in a small village in Tami Nadu’s Ramanathapuram district, where Ranasingam is a local activist, adored by his people. Ka Pae Ranasingam, based on a true incident, is also about a political bureaucracy that could not care less about a young widow’s anguish. It was an extraordinary work that underlined how unfeeling Indian administration is to grief and suffering. We saw such behaviour in Mukesh Bhatt’s 1984 Saaranash (in which Anupam Kher debuts), where a distraught father, trying to grapple with the death of his young son in America in a mugging incident, is forced to run from pillar to post in order to collect the ashes. An accident there kills him, and the movie is all about Aishwarya’s Ariyanchi, who stands up and fights a lethargic system of political and bureaucratic insensitivity. In her latest outing, Ka Pae Ranasingam, she plays a young wife whose husband, Ranasingam (Vijay Sethupathi in a longish cameo) goes to Dubai to brighten his family’s fortunes. Aishwarya was extraordinary in a very moving film made by Manikandan. With their father in jail, the woman has to struggle to eke out a living. We saw Aishwarya some years ago in Kaaka Muttai (remade by Samit Kakkad in Marathi as Half Ticket), as the young mother of two boisterous boys. While Jyothika’s Ponmagal Vandhal, Keerthy Suresh’s Penguin and Anushka Shetty’s just out Nishabdham disappointed me, Aishwarya Rajesh’s Ka Pae Ranasingam – the first Tamil movie to run on Direct-To-Home Zeeplex (with a one-time viewing charge of Rs 199, valid for six hours after one starts the movie) – is an admirable effort. It has been raining women-centric films on streaming sites in recent months. Tamil Star Vijay Sethupathi to Play Sri Lankan Cricketer Muttiah Muralitharan in His Biopic

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